Calling Tanuja the legendary Nutan’s sister or Kajol’s mother is an insult to her unplumbed depths of self expression. Alas, Tanuja was always the odd one out. The one who did what she wanted, when she wanted and didn’t give a damn about success or stardom – which is why inspite of superhit films like Jeene Ki Raah, Haathi Mere Saathi, Do Chor and Hamrahi (watch her extraordinary comic timing with Randhir Kapoor in this one), Tanuja was never acknowledged as a top notch star-actress. On her birthday, September 23, we look at five finest performances by India’s most underrated actress.
ANUBHAV (1971): As Mita, the neglected wife of Amar (Sanjeev Kumar) Tanuja was such a natural it didn’t feel like a performance at all. This is easily the cornerstone of Tanuja’s career in Hindi cinema. And if you see the film now, you will realise how uninhibited and spontaneous she really was. After doing the first part of Basu Bhattacharya’s marital trilogy why did the director shift to Sharmila Tagore in Aavishkar and Grihapravesh? Tanuja made an endearing enlightened screen pair with the great Sanjeev Kumar in Uss Raat Ke Baad, Bachpan and Priya. Sanjeev apart, Tanuja never sought or got a hit pair with any A-list hero.
JEENE KI RAAH (1969): One of Tanuja’s biggest hits in Hindi cinema, Jeene Ki Raah featured her as an emotional wreck who finds solace in Jeetendra’s arms. It was a tender, gentle performance quite effortless removed from the tom-boyish bindaas image Tanuja cultivated through roles that didn’t require her to play the typical Hindi film heroine, probably because she wasn’t one. Though the film was a superhit Jeetendra preferred to pair up with Mumtaz and Hema Malini.
BAHAREN PHIR BHI AAYENGI (1966): Though the story of two sisters both in love with the same man (Dharmendra) revolved almost entirely around Mala Sinha’s character, Tanuja as the younger sister more than held her own. She complemented the leaden sobriety of her screen sister with an infectious impishness. Three years later Tanuja again gave Mala Sinha a run for her money in Paisa Ya Pyaar. Rapidly acquiring the reputation of a scene stealer several top notch heroines were hesitant to have Tanuja around in a supporting role. Dharmendra who did several films with Tanuja (Chand Aur Suraj, Do Chor, Izzat) considers her one of his favourite co-stars. “I had the rare privilege of working with both the sisters Nutan and Tanuja. They were both powerhouse performers. You can’t compare the two sisters. It’s like comparing Lata ji with Asha ji,” says Dharmendra. Copy that.
ADALAT o EKTI MEYE (1982): In Tapan Sinha’s ahead-of-its-times study of rape and its aftermath, Tanuja was cast as Urmila, a Bengali working-girl who is gangraped during a vacation at the seaside. No, she won’t hush it. She takes on the powerful goons in the court, as only Tanuja can. Tapan Da once said he couldn’t have made this hard hitting drama without Tanuja. Wonder why he never cast her again.
PITRUROON (2013): In this Marathi gem, Tanuja is cast as a rural widow Bhagirathi who challenges many of the decadent rules of a patriarchal society and emerges a heroine in ways that cannot be defined by societal yardsticks. Actor-turned-director Nitish Bhardwaj told me he wouldn’t have made this film without Tanuja. After watching it, I knew what he meant.
AND HERE’S LOOKING AT TANUJA’S HIT SONGS:
– Raat akeli hai: Asha Bhosle, Jewel Thief
– Meethe madhu se: Lata Mangeshkar, Priya
– Yaari ho gayi yaar se: Lata Mangeshkar, Do Chor
– Bagh mein kali khili: Asha Bhosle, Chand Aur Suraj
– Aap mujhe achchhe lagne lage: Lata Mangeshkar, Jeene Ki Raah
– Hamari yaad aayegi: Mubarak Begum, title song
– Yeh dil tum bin kahin lagta nahin: Lata Mangeshkar-Mohd Rafi, Izzat
– Baaghon mein bahaar aaye: Lata Mangeshkar- Anand Bakshi (his singing debut), Mome Ki Gudiya
– Preeti k dori saiyaan tujh sang bandhi: Lata Mangeshkar, Preet Ki Dori
Image Source: Instagram/firstly.news/retrobollywood, spotboye archives